Mischief
We went on a walk to try and encourage Marie’s baby to make an appearance – you’ll do anything when the nine months is up to get the baby out. I put the little 50mm prime lens on the camera and set myself the task of finding a picture or two that captured the character of the afternoon. There’s something about using a fixed-length lens which makes you work a bit harder on the composition.
Inevitably, Devon’s innate 9 year old sense of mischief meant that, more often than not, I swung the camera his way, because he was the most entertaining thing in the park that day:

Nikon D300, Nikon 50mm f 1.8 prime lens, 1/320 at f 3.2, ISO 400, hand held no flash. Look at those eyes – not an ounce of uncertainty.
Not far behind Dev in the mischief stakes is his grandma Bev, who as has been seen elsewhere in this blog, really doesn’t care. This isn’t a dance, it’s Bev trying not to get yet another smack on the behind from the whippy stick which Devon conveniently found on the ground:

Nikon D300, Nikon 50mm f 1.8 prime lens, 1/3200 at f 2.2, ISO 400, hand held no flash.
And this is Devon brandishing his whippy, bottom-striping stick having wrestled it back under his control. Oh God I hope he doesn’t turn out to be a boring pen-pusher later in life, this photo proves that – when he was nine, at least – he had all the good-natured fizz you could ever want in a person:

Nikon D300, Nikon 50mm f 1.8 prime lens, 1/1250 at f 3.2, ISO 400, hand held no flash. All images shot in colour and converted to Mono in Lightroom, then finished off in Paint Shop Pro. My usual workflow. I’ve got all the books, magazines and DVD tutorials, and Photoshop CS3, but you know I still think you can produce great post-production effects without going to the extravagance of Layers etc. For a photo blog, at least. I take the easy route because – at the moment – very few of my pictures ever get printed.
I guess Devon has to grow up some day, maybe we’ll look back on these images when he’s a stroppy teenager (there are already signs…), and we’ll wonder why things had to change.
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